I used to obsess over my year-end lists, but now, I don't miss them in the least. Non-listmaking friends and online acquaintances used to claim that lists were simply not their preferred method of judging the music they listened to. I thought it was a giant cop-out. If you love music, then you should stick your neck out for the stuff you've been championing all year long. Well, I get it now. Lists are really nothing more than a snapshot of where your head is at, a timely and in-time review of the year/decade as you saw it at the time. In that sense, lists are essential. But if you don't make those lists, then you can still document your thoughts in other ways. On a blog, or on social media, and so on.
Resident Advisor published a their best music of the past quarter-century. My tastes are too outdated, so I didn't recognize most of the tracks on the tracks lists, even by the artists I'm familiar with. It looked more like an artist representation list than a tracks list, with an outsized attempt to feature lesser-known tracks by well-known artists. The albums list was more of my thing, perhaps the last major contemporary list that I'll truly be able to relate to. I have still never heard the DJ Sprinkles album at #2 in full but I can't argue with its impact. Burial's "Untrue" at #1 indeed felt inevitable.
On the contemporary side, Philip Sherburne wrote about the top 30 electronic albums of 2025 for Pitchfork. I haven't heard anything on it, but damn, Sherburne always makes everything seem so compelling. There is truly not enough time to listen to all the music I love. That Los Thuthanaka album really comes across as a must-hear.
I have been deep into techno nostalgia -- the em:t discography, the Round One to Round Five compilation, the still mind-blowing In Order to Dance 5 compilation on R&S. I could never write about contemporary music again, and churn out steady content based on reviews and recollections of old compilations, much like I did for the Spacemen 3 tribute CD. On some days, I convince myself I should migrate to an all-nostalgia review format, possibly through video channels instead of through writing.
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